Charlie Franklin

I am interested in how human-made forms, of varying scale, can draw our attention in rural environments. Large structures such as stone circles, weathered buildings and walls dividing land stand in contrast with more ephemeral details; rubbish caught in a tree, or pathways worn deep by walking. My recent work mimics ruins or geological debris becoming theatrical versions that hold opposing attributes to the originals: they are shiny, hollow, and portable. 

Questioning permanence and authority is reflected in my choice of media: I use every day and found items that have little structural integrity such as cardboard boxes, gaffer tape and plastic sheeting. These central materials become masked and misshapen as they are painted, collaged, gilded, or wrapped. 

I also present temporary work outside in the landscape. By experimenting with harnessing natural elements, such as wind or sunlight, the works appear fragile, as if it might collapse or disintegrate. This sense of uncertainty or impermanence is central to my practice, as my work seeks to uncover the ways in which objects can mark their territory and determine our sense of place.