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Simon Robertshaw

London

Most of my work has been engaged in a critical engagement with both the technologies to construct my practice and the question concerning technology itself. Much of my work can be seen as a process of mapping and re-mapping the nature of the modern subject - as a contemporary archaeology of the conditions under which we represent ourselves to ourselves, and identify 'others', within discourses of contemporary science.

 

Halflight (the faking of the past)

The Order of Things

The Errors of Art and Nature

Trace Elements

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