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Terry Setch

Penarth
I work with encaustic wax, pigment, found objects and plastic usually collected from my local beach.

For more than 60 years I have been painting landscapes, for the last 50 years I have been recording the changes bought about by new industrial developments, lifestyle changes, wealth management and new social mores. I have been using the pollution of the local beach, particularly the plastic detritus, as my major subject since the mid 1970s, long before concern about the damage caused by the ubiquitous, none biodegradable plastic became widespread in this country.

Sarah Kent wrote, “The beach, a messy and polluted burial ground, is seen as the site of social and moral conflict where opposing forces and interests do battle - where the sea assaults the land, industrial growth encroaches on nature, and exploitation encounters conservation. There is rage in Setch’s pictures. Their ugliness not only challenges good taste, but is a statement of disgust at the negligence of industrial society.” Flash Art, London. Summer 1983

Monica Petzal wrote, “These are paintings to get lost in; there is a wealth of possible meaning and interpretation - there is no right way of looking at them. As evidence of one person’s attempt to bring his personal reality into form which is unified, accessible and powerful, they hold meaning for us all.” Time Out, London. 24 September 1982,

These observations are germane today and encapsulate my thinking. As an artist I continue to use conventional art materials and I incorporate detritus flotsam and jetsam, found objects and include new and recycled modern building materials. I observe daily what happens on the peoples’ beach.

I have to follow my own path: I am not a ‘joiner’ or part of an ‘ism’. I have tried to create an identity that is my own.

. Influences The human figure, Landscape, Environment/Ecology; own cultural identity (British, European, North American) Career path 2009 - Elected to the Royal Academy, London 2002 - Elected to the Royal West of England Academy, Bristol 1959 - 60 Slade School of Fine Art Postgraduate Studies 1956 - 59 Slade School of Fine Art BA Hons (Lond.)

 

Shemoon

Terry Setch in his studio June 2016

In the Sea: On the Shore: In the Sea 7, 2016

COASTAL RESCUE 1, 2015

Coastal Rescue 3, 2015

Dolly Mixtures 2015

Crushed

Time is Running Out

Beach Car Plunge

Tide Shift

Lavernock 8

Lavernock 13

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