![Flgaucjhki0dja0ahzeq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11588/flgaucjhki0dja0ahzeq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370021&s=f1f905c819da57867078860e5d7baca2)
ArchaeaBot: A Post Singularity and Post Climate Change Life-form
By
Anna Dumitriu
2018 - 2019
![Flgaucjhki0dja0ahzeq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11588/flgaucjhki0dja0ahzeq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370021&s=f1f905c819da57867078860e5d7baca2)
- Digital and New Media Art
- Sculpture
- Participatory & Collaborative
- Bioart
- Digital
- Robot
- Underwater
- Water
- Residency
- Funding / Award
- Technical / Fabrication
Dimensions
40 x 50
“ArchaeaBot: A Post Singularity and Post Climate Change Life-form” by Anna Dumitriu and Alex May takes the form of an underwater robotic installation that explores what ‘life’ might mean in a post singularity, post climate change future. The project is based on new research about archaea (the oldest life forms on Earth) combined with the latest innovations in machine learning & artificial intelligence creating the ‘ultimate’ species for the end of the world as we know it. New research is revealing the mechanisms by which ancient archaea called Sulfolobus acidocaldarius can move around to seek ‘food’ using tails known as archaella. The archaella use cogwheel-like ‘motors’ to swim about. Their collaborator cryo-microscopist Amanda Wilson is studying the structure of these archaella to make tiny drills made of DNA which might be used to drill into cells to cure diseases, but the robotic archaella are made through 3D printing. The work is made in collaboration with researcher/cryomicroscopist Amanda Wilson as part of the EU FET Open H2020 funded MARA project based in the Beeby Lab at Imperial College London, and with Professor Daniel Polani from the School of Computer Science at the University of Hertfordshire. The project is supported through an EMAP/EMARE artists’ residency at LABoral Centro de Arte y Creación Industrial in Spain via funding from Creative Europe and with generous support from Arts Council England. Since its completion in August 2018 the piece has been shown at Ars Electronica Festival 2018 (Linz, Austria), LABoral (Gijon, Spain), Bandits-Mages (Bourges, France) and IMPAKT (Utrecht, Netherlands).
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