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les mains de ma mère

was exhibited as part of the 2021 Shape Open, All Bound Together? by Shape Arts

“My mother’s hands have been transformed by Rheumatoid arthritis. My existence has been de-limited by the white gaze. In this short film, I interrogate my conflictual relationship to authority, the Black mother figure, and whiteness as a destitution of power.” Filmed and assembled from a place of gratitude, this film is punctuated by to be you, a poem (2019). The Covid-19 pandemic marked a physical rupture with hostile environments melissandre used to perform in. They spent time with their hands thinking about intergenerational trauma, grief, and healing. Their mother transitioned to another form 17 years ago and melissandre is now envisioning ways to critically celebrate her passage on this Earth.

Credit Mandip Singh Seehra 1756123077 n:u (melissandre varin)

performance by Maria Muehombo and n:u

45 min

material: ​soil, bells, sparkling wine, butter cloth, shea butter, salt

soft discomfort, salt & shea butter, transition, fugitive mapping, ​soil, bells, speculative tension​, sparkling wine, butter cloth

The Last Place They Thought Of, Kunsthal Mechelen, curated by Sorana Munsya

image credit: Hans Gaston Op de Beeck

doucement

sorry we are close(d)

by n:u (melissandre varin) and Jérémie Priam

Digital Video

duration 08 min 29 second

supported by Oustide In (GB)

Presenting the Caribbean banana trade as a site of desire and displacement, n:u and Jeremie’s audio-visual assemblage spans 4,000 miles. On Martinique (FR), Jeremie’s aunt Lilianne shares her knowledge of growing organic bananas. On the island, toxic pesticides sprayed on banana crops have contaminated the landscape…

Handle with care/ prendre avec soin

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