![Hed9qgtabkufuslpjfzq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11732/hed9qgtabkufuslpjfzq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371467&s=1452a979c3fbe6346a517ae257bab3cc)
M180 - works in progress
By
Marc Renshaw
2020
![Hed9qgtabkufuslpjfzq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11732/hed9qgtabkufuslpjfzq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371467&s=1452a979c3fbe6346a517ae257bab3cc)
X loiters next to the alt-modern thank you sign in the newly laid car park
Piped in loungy Starbucks music steals Yo La Tengo riffs evoking mythical summer days that never happened.
A phone scroll reveals ‘test and trace exposed.’
Are you staying in? Are you OK to do track and trace?
I spill my drink on the large round table – all of it. Lake Latte. Tall.
I gaze out from an elevated position in search of the virtual bridge.
https://www.europarc.blog
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