Skip to main content

Narcisus

John Paul Evans

‘Stilled Lives’ are a series of self-portraits that reference artworks from western history. The pinhole photographs need extended exposure, (usually 3-6 minutes) which requires the sitter to perform stasis for this primitive technology. Remaining still for prolonged periods is reminiscent of the life model’s role, becoming petrified in the temporal drift. Walter Benjamin believed that in early examples of photography an ‘aura’ was captured through the long exposures necessary to record the images: “The procedure itself taught the models to live inside rather than outside the moment. During the long duration of these shots they grew as it were into the picture”. (Walter Benjamin – A Short History of Photography)

John Paul Evans

John Paul Evans

Ycyibhnjmuoxcq5p1owrlq John Paul Evans

After Rosso Fiorentino - Pieta

Another picture in the attic

elegy for an aesthete

Become a member

We support our members with: insurance, networks, space, opportunities, R&D awards, profiling, advice and mentoring.
Become a member

Join the UK’s Leading Artist Community

Be part of a caring, mutual aid network. Connect with fellow artists and access insurance, space, opportunities, and support to grow your practice.

Become a Member