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Numinous Odyssey : Architectural Canvas/Painting in an English Garden

Architectural form/canvas submitted as part of the Raveningham Sculpture Trail. A spatial practice that explores the fragility of a painting in the landscape. This work continues themes and feelings evoked by an earlier intervention, Sensing Space, Raveningham Sculpture Trail 2018.

Numinous Odyssey : Architectural Canvas/Painting in an English Garden. Raveningham Architectural Canvas/Form

Framed-Un-Framed Construction Sensing/Site 2020

Aesthetics between objects

Fragments from note books

Art Works, a constellation of coincidences/intuitions resting the not being made

Re-animating context

Aesthetic perception, how aesthetics are represented in a object by philosophers and scientists

Espace-Milieu : Painting as environment entanglements

Painting in a landscape situation.

Canvas as spatial phenomena, reading both sides.

Asymmetries between a particular past and a general future

The passing of the present through the pure past

Difference and Repetition : Production/Synthesis of Temporality

Art Practice/Gathered from Everyday Life : Micropolitics of slowness and repetition.

The Living Present, constructed from habits, anticipations and recurrences

Chaos, territory, art Deleuze and the framing of the earth Elizabeth Grosz.

 

Evaluation

Collected Notes : Raveningham Sculpture Trail 2020

Studio Blackboard

ODYSSEY Aesthetic Intervals/Timbre/Traces

Immateriality/Temporal/Transitions material and movement/Human agency

A Species of Spaces

Construction/Making/Collage

Forming, slowness and repetition, elements of painting

Assemblage, sensation, surface, objects and spaces between them gathered/thresholds

Sheltering/Weathered/ Exploring a fragility of a painting in the landscape

Robert Mangold, Paintings and Architectural Forms

Fragments from sketchbooks

Ephemeral Architecture

Canvas as spatial verb

Yellow Ochre, Molochite, Gesso, Canvas, Paper, Textiles, Wood, Lead, Nails

Canvas as folded construction/shelter/place

Operative Design, A Catalogue of Spatial Verbs

Georg Simmel, text Frames, Handles, Landscapes and the aesthetic ecology of things

Outpost 1738311751 Russell Moreton

Art Practices as Speculative Learning Environments.

Diffracted Bodies/Matter(s) in Movement : Speculative/Performative Space-Time Drawings

The Winchester Years : Becoming with Difference, Alienation and Wonder.

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