![108554](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11946/108554.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381282&s=15f3e6ef80fac545c190fe4c125bb6be)
Outbursts 3 & 4
By
Shelly Goldsmith
2011
![108554](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11946/108554.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381282&s=15f3e6ef80fac545c190fe4c125bb6be)
Shelly Goldsmith
The development of a previous piece Outbursts 1 & 2, this piece is situated in the bedroom of Sir John Soanes at Pitzhanger Manor.
Cotton cordon tapes 'preserve' sites of importance on the stained cloth of a reclaimed dress. The cordon tape no longer reads 'POLICE KEEP OUT', but presents hand stitched excerpts from the imagined memories and experience imbued in the cloth of the worn dress.
![108555](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11946/108555.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381282&s=f967eb1e18366818e45d915e64181d00)
Shelly Goldsmith
![108556](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11946/108556.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381282&s=678a0075c092a5a6099d26e0a181abfe)
Shelly Goldsmith
![108557](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11946/108557.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381282&s=25b3a6c044b63047d3afefbd6d6704fd)
Shelly Goldsmith
![108558](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11946/108558.jpg?w=417&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381282&s=9706166f0957b47df12a365394752265)
Portia Wilson
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