![3wgwmeu6rkizdfhqkuqaw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11850/3wgwmeu6rkizdfhqkuqaw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709379597&s=28f6dec7a7aeefe55f068d59f295fd1f)
Protection #1,2,3
By
Bev Broadhead
2018
![3wgwmeu6rkizdfhqkuqaw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11850/3wgwmeu6rkizdfhqkuqaw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709379597&s=28f6dec7a7aeefe55f068d59f295fd1f)
Series of three landscape paintings that challenge the distance between viewer and the work. Close up the nature of the paint and surface suggest looking through undergrowth; seen from a distance, these are landscapes typical of the North Norfolk coastal region. Responding to curator Caroline Fisher’s brief for Cley 18, ‘The greater the distance the clearer the view’ W G Sebald’s words from Rings of Saturn I worked at Cley Visitor Centre using powerful binoculars to observe bird life on the marshes for a period of time, painting from sketches.
http://www.cleycontemporaryart.org/
![1oh4ouo0r0mqwqez0fowa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11850/1oh4ouo0r0mqwqez0fowa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709379597&s=3174b49427a219f899d9fe89df3aa8dc)
![Mlpis2zjuexcwjzylpoa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11850/mlpis2zjuexcwjzylpoa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709379612&s=6aef65dc7234b811643db4e9c66b818f)
![Suvbqmis0c0el26v3vc1a](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11850/suvbqmis0c0el26v3vc1a.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709379614&s=7bf38c6cc01d5bd3dfe109150eb656aa)
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