![C3lqzyb2leuzycu07t9ia](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/c3lqzyb2leuzycu07t9ia.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390981&s=5b099bb4a53c173dedeeebc7e78b842c)
Red brick
By
Claire Barber
1997
![C3lqzyb2leuzycu07t9ia](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/c3lqzyb2leuzycu07t9ia.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390981&s=5b099bb4a53c173dedeeebc7e78b842c)
'Red Brick' was created while I was Artist-in-Residence at Marlborough College. I wished to work with a material connection to the College, and when I drilled into the white wall of the College’s Mount House Gallery (causing vibrant red dust to spill out) I knew that this was material I would like to investigate further. I imagined that the College bricks, had, through the years, absorbed the sounds of Marlborough, and, in this way, resembled the life-blood of the college. I began to break the bricks (some of them two hundred years old) into dust at Barton Farm, where the use of a steam roller made the process a great deal quicker. I worked with the dust in Norwood Hall, where the dust resembled a carpet in a stately home, and echoed the orange rug in the portrait hanging above.
![Yjwt3pjbvkueapbf1o2qia](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/yjwt3pjbvkueapbf1o2qia.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709391025&s=745b66098ade0cb891cd8ebc57da9e52)
![7dnamyyjyuukczqswpj8la](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/7dnamyyjyuukczqswpj8la.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390975&s=363a99dcd964269bbd4a5f7ecc96e4c9)
![Cmgq5oqi4uwzcdxf68uxoa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/cmgq5oqi4uwzcdxf68uxoa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390982&s=df686f5c08175ab7e5a7684665d7dfc7)
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