![Xhg98h5qd0jz4ikoma6dw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/xhg98h5qd0jz4ikoma6dw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709391023&s=901dd5653719a806d6ec402b1ece5ee9)
Tears to wake the flowers
By
Claire Barber
1998
![Xhg98h5qd0jz4ikoma6dw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/xhg98h5qd0jz4ikoma6dw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709391023&s=901dd5653719a806d6ec402b1ece5ee9)
Tears to Wake the Flowers
Tears cut form a gentleman's handkerchief
And placed on the dusty ground
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Tears to Wake the Flowers is part of a body of work created while a Visual Arts Fellow at the Western Australian Academy of Performing Arts, Edith Cowan University, Western Australia.
Knowing little about Australia in general, and Western Australia in particular I started in the library where I quickly learned of the title 'The Cinderella State'. Soon I was journeying, like an early settler, eats and north-eats, beyond Kalgoorlie to Kanowna and up to Day Dawn and Cue.
I personally recreated the colonising move inland. To Epitomise the sense of Cinderella in this strange land of promise and melancholy I made exquisite dresses, pierced and cut so that fragments fall like butterflies or flowers onto the desert soil
![Ghmccmunw06qijyserpiwq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/ghmccmunw06qijyserpiwq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390992&s=40a0799bd981a82249148dbb318af3fd)
![Dc4qc404oewfcu2ufph4fg](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12557/dc4qc404oewfcu2ufph4fg.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390983&s=ff41529e79b9723b9c43a25592d8e8f1)
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