The Supper at Emmaus (after Caravaggio)

Oil on canvas New compositions reinterpret principles of sacred geometry within visual art, creating complex patterns based upon the underlying structure of representational images, revealing perhaps a divine form within the natural world. The artist explains: “These intricate lattices reference both postmodern pixilation within painting, as influenced by digital culture, and the longstanding idea of an underlying order within both visual art and our wider perception of reality. They are also informed by the obsessive exploration of geometric patterns by the outsider painter Eugene Andolsek and the automated techniques of Sol Lewitt, who would pass instructions onto assistants who then created his drawings.”