![Wmh9mm2ofeikrre8nm7ltq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12138/wmh9mm2ofeikrre8nm7ltq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709384032&s=3dbb20f88c02a7c372f843291337297e)
What Mrs Gilly was really thinking when Mr Lely was painting
By
Helen Latham
2017
![Wmh9mm2ofeikrre8nm7ltq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12138/wmh9mm2ofeikrre8nm7ltq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709384032&s=3dbb20f88c02a7c372f843291337297e)
When looking at 17th century paintings of women I was struck by how formulaic they were, nothing about the woman herself - her character, her looks, more about how well they displayed the wealth of their husbands. I've tried to re-work these portraits using the colours I see when closing my eyes to the sun, shades of pure light, shimmering and resonant with the feelings of the woman they depict.
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