![Upe1820kessvsca3whra](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12541/upe1820kessvsca3whra.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390933&s=29f9af8a9fefe3e1aefe70315a7acc14)
Wysing Polyphonic
By
Kirstin Leigh
2016
![Upe1820kessvsca3whra](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12541/upe1820kessvsca3whra.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709390933&s=29f9af8a9fefe3e1aefe70315a7acc14)
As part of SAVORR's contribution to the Wysing Polyphonic festival, the panel approached artists to the respond to the nature of sound – its meaning, its potential, its limits and its history – through a selection of written works that would offer a diverse response to a deliberately ambiguous brief. Artists, writers and musicians presented their understanding of sound, including words from Daniel Clark, James Hassall, Krzysztof Fijalkowski, Simon Pomery, Paul Purgas, Rashid Uri and more.
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