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zig-zag panels on Bakestonedale Moor

Flat paper can be a superb surface to make drawings. But, when there is a lot of wind (and rain), a paper surface needs pinning to the ground, otherwise the wind will rip it and blow it away. I have taken long lengths of lining paper, folded it double at certain intervals and inserted sharpened wooden sticks into the thus created tunnels. I pinned the sticks to the ground in consideration of the prevailing wind directions and the topography of the ground. Then, I sat next to the paper panels and made drawings with marker pens or ink. These three-dimensional drawing supports als worked as a shelter from the wind. Using paper and wooden sticks in such a way were part of my large PhD project where I developed an arts practice in response to the landscape of the British Peak District. If you are interested in this particular instance of drawing, then you could read a wider discussion of it in my PhD thesis from p. 134 onwards. You can read and download it here: https://chesterrep.openrepository.com/handle/10034/629532
At a later stage, I exhibited the zig-zag panels in exhibitions. In such exhibitions I brought together my artefacts from outdoor artmaking and showed them together with photographs and videos about the ways in in which I used them outdoors. 

Sabine Kussmaul

Sabine Kussmaul

Sabine Kussmaul

Sabine Kussmaul

Sabine Kussmaul

Sabine Kussmaul

Avatar 1757951975 Sabine Kussmaul

Marking human presence

Using the mobile working kit (MWK) outdoors

Developing leatherette sheets for outdoor installation

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