Highlights

Preconception, 2026 by Jenny Bradbury

This work developed from research into how quotidian objects can be used as a representation of self-perception, growth and identity. It was created using wire and thread, representing strength and fragility and symbolises an analogy of the self. Forming part of my BA (Hons) Textile Practice degree at Bradford School of Art 2026, stimulating the audience to consider why we have assumptions and preconceptions and the reasoning behind them.

Smile (give us one), 2020 - 2026 by Nick Grellier

found work gloves on canvas

2.4 x 1m

Upright sculpture - Erection, 2025 by Naty Lopez-Holguin

Tumble-dryer fluff.

6 x 14.5 x 4.2 cm

Lipstick Applicator, 2025 by Mia Roberts

A PIR sensor wired to a relay that powers a motor. The work, when looked at, applies lipstick to itself, eventually wearing down from a perfect circle to something clogged, messy and smeared.