Highlights

liminal lands, 2025 by Victoria Lucas

Graphite and Indian ink on tissue paper.

17 x 28 cm

No Direction Home, Blowin’ in the Wind, 2024 by Ngo Chun Tse

No Direction Home, Blowin’ in the Wind is a single-channel video installation pairing a domestic fan with a TV monitor. The screen shows a rendered image of the artist’s first London home after migrating from Hong Kong, accompanied by a voiceover poem that reflects on dislocation, memory, and the ambiguity of belonging. Plum, cherry, and peach blossoms: each rich with distinct cultural meaning in East Asian traditions, appear throughout the film, but the artist confesses uncertainty in naming them. This hesitation becomes a quiet rupture: a sense of inherited distance from one’s own heritage, set against the unfamiliarity of a new land.

The fan’s persistent breeze stirs these images into a state of drift, blurring the boundary between presence and loss. Together, the installation becomes a fragile, suspended meditation on diasporic identity, where home is not a fixed point but a space between recognition and forgetting, culture and estrangement.

Tellus Nullius: Solo 3, 2023 by Veronica Vossen

C-Type print on aluminium

101.6 X 76.2 cm

The Visitor, 2025 by Denise Hickey

The Visitor looks to explore a relationship to remoteness through considering absence and connection.

The lens of Folk allows a way of becoming, to imagine these experiences, often too slippery to define.

Through horror a space to exist occurs.

50 x 80 x 30 cm