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Rachael Adams

Newhaven
Artist, designer, publisher
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Recent work explores visual and aural conventions of the landscape that convey recalled anticipated events, describing that formation in the landscape where the visible and the anticipated overlap, collide and conflict.

My practice is, in part, an investigation into a perceived problem of ‘memory as evidence’ in recounting personal histories. I assemble stories using fact, fiction and history in pictures, print, text, sound and the moving image.

 

The Verge

Moonlit Spinney

Happy Valley

Thunder over Abinger Road

Three Corner Field

Teatime in Abinger Road

Prospect of Arcadia

The Bigger Picture: Fact and Fiction Book as Artefact

My Cheek Against My Sister’s, We Were Born Like Tangled Vine

The Triumph of Momentum

The Book of The Dead

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