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Susan Gough

Ryedale

My work explores ideas to do with time, memory, loss and the human condition.  Since my degree, where I used landscape as a metaphor for the human psyche,  I find I still refer to TJ Clark’s essay, Jackson Pollock’s Abstraction, Reconstructing Modernism*,  where he talks of  “the mud and the sheen”, expressing how we are rooted in the mud and filth, yet always aspire to the stars.  I tend to work in series, which is another way of expressing time’s passage.

Seasonal changes in the landscape through colour and texture and tally marks are a way of expressing passing time; time taken to live a life and time taken to make a work.  Life is nothing without repetition; it provides the framework from which we can explore creativity.

 

Expressive use of mark making and the evidence of the artists’ hand are important to me.  I have recently been doing quite a lot of crochet and knitting and found that textile construction has crept into some of the pieces; the idea of a length of yarn, a line, by being knotted or looped can produce a textile surface is another aspect that I sometimes bring into my practice.  Everything is dealing with time and surface.

The push and pull of making paintings, the dual struggle of instinctive mark making and intellectual appraisal is a continual process and keeps the tension alive within the work.

More recently, I have begun to explore painting as a three dimensional object; I am interested in how a painting might occupying a space and interact with other artworks nearby.  To this end I am in the process of applying to Teeside University for a place on the AA2A scheme; the use of their workshops will enable me to be more ambitious with this study.

 

Exhibitions

2015:                                      

September/October: solo show, title to be confirmed.  The White Room Gallery, Priestleys, No.36 Bootham, York

June 6/7th, 13/14th, North Yorkshire Open Studios

March 28th - May 17th, Democracy Rocks!  The Gallery, Ryedale Folk Museum, Hutton le Hole, North Yorkshire.  De-commissioned ballot boxes re-imagined by professional artists and young people from schools and communities.

Jan/Feb, International Postcard Show, Surface Gallery, Nottingham.            

2014:                                      

October 11th – 12th, Islington Contemporary Art and Design  Fair, Part 2. (By invitation to submit).

July 25th – August 17th, Aspects of the Moors, Ryedale ArtWorks group show, Danby visitor centre, North York Moors National Park, Danby.

July 3rd – 30th, Drawings, The White Room Gallery, Priestley’s No.36 Bootham, York. Showing with Sally Taylor, Lyn Wait.

March 17th – April 11th, “SKETCH 2013”, touring to Plymouth College of Art

March 10th – 17th,Wobudong, Piccadilly Place, Manchester a group pop up exhibition exploring text without meaning.

Jan 15th – 18th February, International Postcard Show, Surface Gallery, Nottingham

Jan – Feb, “SKETCH 2013”, touring to Black Swan Arts Centre, Frome, Somerset.                       

2013:                                      

Sept. 16th – Oct, “SKETCH 2013”, Rabley Drawing Centre, Marlborough, Wilts.

Sept. 16th, for two weeks; I was represented on “I am Access Art” pages of the Access Art web site. My pages were then transferred to their archive.  I was the first artist to be selected for this initiative. www.accessart.org.uk

March 29th – April 28th, “Marking Time”.  Solo exhibition, The Gallery, Ryedale Folk Museum, Hutton le Hole, North, Yorkshire.

23rd February - 28th April, Ferens Open, Ferens Gallery, Hull.

29th January - 25th February. International Postcard Show, Surface Gallery, Nottingham.

2012:                                      

September.  “The Great North Art Show”, Ripon Cathedral.  Open submission.

2011:                                       “

DJ Selections”, touring in the Duckett and Jeffreys Gallery Caravan.

“East Coast Open”, Scarborough.

Sept/Oct: “ArtFest”, a celebration of work by members of Ryedale ArtWorks, Duckett and Jeffreys Gallery, Malton, North Yorkshire.

 

Education and Qualifications:

 

2000 - 2003            

City and Guilds Further and Adult Education Teaching Certificate 7307, Parts 1 and 2.

                                

1990 – 1995           

Surrey Institute, Farnham (now UCA).  BA (hons) Fine Art, painting.  (Part-time)  Upper second.

                                

 

1988 – 1990           

Basingstoke College of Technology
Part-time Pre-Degree Foundation Course, Art and Design

1987 – 1988           

Open College of the Arts. Inaugural Foundation course and summer school.

 

Employment:

2011 - 2015

Volunteer Gallery Assistant to the manager, The Gallery, Ryedale Folk Museum, Hutton le Hole, North Yorkshire.

September 1995 – Spring 2005.

Tutor, Art and Design, on full time courses and on the Adult Education Programme, Queen Mary’s College, Basingstoke.

 

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