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Vicki Cooke

Brentford
Making work about the women who have gone before

"A Woman of Genius does not exist: if she does, she must be a man" Edmond de Goncourt,  Art Critic, 19th C.

My work looks at the rich history of female artist and scientists who have persevered in proving wrong the author of the above quote.

The Women of Genius drawings depict historical female artists. They faced huge challenges in their lifetimes, but despite this, many rose to prominence, supporting their families with their work, painting royalty and winning prestigious commissions. However, their legacy has frequently not been respected - the work of these women has been lost, damaged, reattributed to the boys or just forgotten. For some, almost nothing is known, only a name and a face in the archives. I have been shaping my thoughts through the process of rediscovery by drawing.

The drawings that make up the Women of Genius series' are all taken from self portraits. Their gaze confronts us; honest, scrutinising, it challenges traditional portraiture of women as possessions; wives, mistresses and marriage objects. The process of making the drawings interests me; creativity and destruction live side by side and make endless possibilities. The work plays with the physicality of the drawing process, experimenting with ways of creating, then obliterating, marks made on paper. Drawing, erasing, redrawing, sandpapering, tearing and reforming; the image that remains becomes a ghost of its former self.

Our view of the past is altered by our present; some stories are altered and some are obliterated. How do we choose to remember the past when what we see is always incomplete? The ghosts of the forgotten are haunting, but through the action of drawing, they are remembered.

 

1000 Pricks: Powers

1000 Pricks: Hardwick

A Woman of Genius

1000 Pricks: Schurman

1000 Pricks: Cameron

1000 Pricks: Delany

Trace:Sharples

Many women were making art in the 17th and 18th century, but much of their work has disappeared without a trace. How do we choose to remember the past when what we see is always incomplete? The ghosts of the forgotten are haunting, but through the action of drawing, they are remembered. Featuring in the series 'A Woman of Genius', rediscovering the lives of women artists. Fratellini ran a successful studio in Florence in the Baroque period and painted portraits and religious scenes.

Trace:Fratellini

Fragment: Unknown Artist

Fragment: Fratellini

Sandpaper: Judith Leyster

Sandpaper: Elisabeth-Louise Vigee-Lebrun

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