![Ocrlytmtqua4yzbjllqi0a](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/ocrlytmtqua4yzbjllqi0a.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370623&s=2d3b47f49c8d459a3fc78715b1606b9d)
Clytemnestra Eight
By
Susan Banks
2022
![Ocrlytmtqua4yzbjllqi0a](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/ocrlytmtqua4yzbjllqi0a.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370623&s=2d3b47f49c8d459a3fc78715b1606b9d)
Clytemnestra Eight is worked in different colours from earlier paintings in the series and so brakes away from its source images while keeping the double headed axe, a “wall paper pattern” and painted pillars.The painting changes in different lighting conditions.
Engendered by curiosity with ancient Painting, this canvas focuses on the myth of Clytemnestra [revenge and catharsis] while formally concerned with the relationships of figure/ground, texture and colour. The pattern references a fragment of painted wall from Thera – pre 1550 BCE. See Warren [1975].
WARREN, Peter, “The Aegean Civilizations”. (The Making of the Past.) Oxford: Elsevier-Phaidon. 1975.
Oil and acrylic on deep canvas.
![Vjlf5zzoeylplhrterwvw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/vjlf5zzoeylplhrterwvw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370646&s=e4cca40429056fea4fac73dcd4c3a20b)
Susan Banks
![Zxt4hjfeck6uipyqueax9q](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/zxt4hjfeck6uipyqueax9q.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370657&s=e9128cc34d0aed0dec8a0bc289bb0ebe)
Susan Banks
![Kvtv5x9qikwdfv3v5mh3q](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/kvtv5x9qikwdfv3v5mh3q.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370615&s=48ad956fc18fe161d9bd44143912b513)
Susan Banks
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