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Exhibition - 'Cogn: The Root of I'- 'Drawing, Cogntion and the Human Biped'

By Saranjit Birdi 2015

Saranjit Birdi

This is the most complex observational drawing I have created to date. Drawn in 7.5hrs over two sessions, It follows my study of the human biped's condition as an upright vertebrate, with the brain and feet located at opposite ends. The skeleton of the orang-utan also references our evolution as human beings, losing the opposable thumb on our feet in order that the one on our hands can accomplish more. I am very interested in the 'totipotentiality' of the human to utilise the whole body as a tool through plastic evolution. Might it be that the foot is more complex and essential to human evolution than the hand? This works resulted as a collaboration with the School of Bioscience at University of Birmingham where I now present my drawing practice at an annual joint art-science seminar for degree students. The collaboration resulted in an exhibition 'Cogn: root of I' at Winterbourne House, University of Birmingham and the Drum, Birmingham in 2015. Critical theory for this work was also underpinned through my MFA research at Goldsmiths University 2015.

Saranjit Birdi

Saranjit Birdi

Juyyq4u64eyc9xgrpwnbq Saranjit Birdi

'Relative Lines-1'

Elemental

This drawing was created live over four days through August 2012 and is part of an ongoing series titled 'Limits'. begun in 2011 at the Folkestone Triennial Fringe Festival. The process was to stand on the paper and draw using both feet, overall the drawing took around 12 hours. The fun part was meeting the locals in the hustle and bustle of the market nearby and in some cases creating portraits of them as they looked down at the work. The work was video documented.

'Limits' series - Foot drawing of St Martins Church and Bullring, Birmingham

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