![010319ag](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11450/010319ag.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709368612&s=0e52628befeabe35411e4014c43b6cca)
Family tree part 2
By
Victoria Hall
1995
![010319ag](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11450/010319ag.jpg?w=500&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709368612&s=0e52628befeabe35411e4014c43b6cca)
Victoria Hall
In the second part of the work, the foundations of the project are instantly recognisable, by the typical layout of a family tree. This is mapped out across the wall in Lettreset, fourteen feet in length. The boxes, which you would expect to hold a name, are replaced by short lines of text. These are quotes from other members of the family describing that particular person, thus giving the viewer a clearer understanding of the individual represented. Such as 'Won Opportunity Knocks' or 'Living in sin'.
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