![Cpz2pmbzeucvancnrjhka](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12140/cpz2pmbzeucvancnrjhka.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709384041&s=f92632dc3a7d86a446965c9f7caaf67c)
GCHQ #2
By
David Hayward
2015
![Cpz2pmbzeucvancnrjhka](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-12140/cpz2pmbzeucvancnrjhka.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709384041&s=f92632dc3a7d86a446965c9f7caaf67c)
One of a number of works that reflect my interest in transient systems such as weather, erosion, tides, sound and the way such transience can be apprehended within the forensic history of a painting's surface.
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