Hummadruz
By
Cat Bagg
2018
Hummadruz, Newlyn Art Gallery, photo Steve Tanner
Hummadruz was an international group exhibition exploring the overarching and infinite rhythms of nature, folklore and the occult and how they have become a lived system embodied by both artists and communities. It included works by Ithell Colquhoun, Mary Beth Edelson, Byzantia Harlow, Amy Lawrence, Susan MacWilliam, Niamh O’Malley, Silke Otto-Knapp, Beth Emily Richards, Monica Sjöö, Jill Smith, Lucy Stein, Linda Stupart, Gitte Villesen, Anne-Marie Watson. As well as Artefacts loaned by The Museum of Witchcraft and Magic and private collections.
Invisible threads ran through the exhibition, connecting each artist; from a direct influence that one has had on another’s practice or life, to a wider impact on a generation’s social and personal politics.
The artefacts included all exist as the physical manifestation of a spiritual requirement, created for a specific purpose and imbued with the magic of their maker or owner. Many of the artworks were made for similar reasons; as part of a process of meditation, mediation and finally, a need for action or creation - influenced by different movements, whether that is folk magic and traditional witchcraft, the Goddess movement and Feminism or a more intimate uninitiated form of spiritualism.
Hummadruz was nearly two years in the development and was supported by a wide range of people, including; Simon Costin and Peter Hewitt of the Museum of Witchcraft and Magic; artist Lucy Stein; Gemma Gary and Jane Cox of Troy Books; collectors Marcus Williamson, Jeffrey Sherwin, Maggie Parks and Richard Shillitoe; Blair Todd at Newlyn Art Gallery; and Rupert White, writer and editor of ArtCornwall.org, who has provided a breadth of knowledge and depth of support throughout the process.
Hummadruz, Newlyn Art Gallery, photo Steve Tanner
Hummadruz, Goddess figurine lent by MoW & Artemis by Monica Sjoo, photo Steve Tanner
Hummadruz, work by Mary Beth Edelson, photo Steve Tanner
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