'Hushing the Room Enclosed' (2008) Taken from the 'Waste Land' project
Sally Waterman
- Photography
- Film and Video
- Personal Narratives & Identity
- Divorce
- Relationships
- Emotional Landscape
- Home
- Fine Art Photography
- Video Installation
- Soundscape
- Literature
- Poetry
- Modernism
- Claustrophobic
- Voiceover
- Psychological
Dimensions
Digital video comprising 4 static photographs with looping sound-scape (5 mins)
Digital video comprising four photographs with looping sound-scape (5’)
Voiceover: Sally Waterman, Veronica Waterman, Deborah Langdon-Smith
Environmental sounds: Footsteps, doors closing
‘Leaned out, Leaning, hushing the room enclosed. Footsteps shuffled on the stair’ (l. 106-107)
‘Stay with me. Speak to me. Why do you never speak? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think.’ (l. 111-114)
‘What shall I do now? What shall I do?’ (l.131)
‘What shall we ever do?’ (l.134)
‘What you get married for if you don’t want children?’ (l.164)
Additional lines: ‘Never get married, never have children’
‘Waste Land’ is the culmination of a five-year project, which comprises twelve photographic and video installations derived from T. S Eliot’s 1922 poem.
‘Hushing the Room Enclosed’ deals with the psychological breakdown of relationships, with parallels drawn between Eliot's troubled marriage and the artist's own experience of parental divorce. The accompanying haunting sound-scape of this photographic installation reinforces this sense of paranoia with its static grid formation of domestic transitory spaces where conversations are overheard and arguments initiated.
Helping Artists Keep Going
Axis is an artist-led charity supporting contemporary visual artists with resources, connection, and visibility.