![Trrh3wuo9kmgc9tq2pmkag](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/trrh3wuo9kmgc9tq2pmkag.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370642&s=dd1f36477f99fec51162846c8f9b1835)
Leda Six
By
Susan Banks
2015
![Trrh3wuo9kmgc9tq2pmkag](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/trrh3wuo9kmgc9tq2pmkag.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370642&s=dd1f36477f99fec51162846c8f9b1835)
Susan Banks
Leda Six is a blue manifestation of a visual idea in a series that responds to the frequently used myth of Leda’s rape by Zeus disguised as a swan, a subject usually depicted with uncritical sensuality.
The topic involves both a protest and pleasure in colour development resulting in unintended colour juxtapositions affects and outcomes.
Leda Six reflects a need to develop the idea to larger canvases and follows a visit to Venice and other encounters with many “Ledas”.
Mindful of Yeats’s poem, Leda and the Swan, the painting includes suggestions of turbulent water, beating wings, claws and feathers.
![T37ykbnueckwhl1vyldkg](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/t37ykbnueckwhl1vyldkg.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370641&s=45993170fca987f240c1b469208ac7c0)
Susan Banks
![I2ne85e9peqrhm8tapg](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/i2ne85e9peqrhm8tapg.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370605&s=8e60f1dc88a03543575f33d339081087)
Susan Banks
![Nhlr2gx0owzelsrbgauq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/nhlr2gx0owzelsrbgauq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370622&s=89446822f3fd574bc1c9929ec0e62d75)
Susan Banks
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