![Sm3kkfxenaqwkvweufg](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11795/sm3kkfxenaqwkvweufg.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371973&s=c956a71ec7c059038541db08ddbab7de)
Richard Shops Blue Lace Dress, National Trust Killerton House, Exeter
By
Teresa Whitfield
2019
![Sm3kkfxenaqwkvweufg](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11795/sm3kkfxenaqwkvweufg.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371973&s=c956a71ec7c059038541db08ddbab7de)
When researching C19th garments featuring machine-made lace in the Killerton House costume collection I was fascinated to discover this blue lace dress; intrigued by the sheer complexity of the construction of the fabric I was also overwhelmed with fond memories of visiting Richard Shops as a child.
I spent just over two years recreating the dress in the form of this drawing; a consciously slow, meticulous and low-tech process which pays homage to the unsung labour of its original creators, and highlights the loss of craft skills such as lace-making in our increasingly mechanised and digital world.
![3slhzy2qkifpf3dhvngiq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11795/3slhzy2qkifpf3dhvngiq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371964&s=53210a0b12a0ed027c6fef68257e600e)
Malcolm Jarvis
![Ykc6wkfr1kerehemd94rsa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11795/ykc6wkfr1kerehemd94rsa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371977&s=6b4d19e43727781935fe07f3edee6700)
![Jidb7kueiuezhazcnzatw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11795/jidb7kueiuezhazcnzatw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709371969&s=9172f4fe32ec281f20998b6113c9e667)
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