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Sensing Places : Towards an Alchemy of Thinking

Sensing Places : Towards an Alchemy of Thinking.

This site based exploratory apparatus, part self assembly, and part crafted brings together components, materials and filtered light. Built around the involvement of making in the landscape, this event based intervention creates a fictional space articulated through the alchemy of built spaces that merge the poetic with the tectonic.

RAVENINGHAM 2025

WORKING NOTES

Developing relations on the specificity of a landscape and the weather.

Construction site, towards an alchemy of thinking and making space and the instants of the wonderous.

Some ways of thinking.

Processes enabling situations through strange constructions.


Diffractive apparatus of components, materials and filtered light.


Explorative, site specific and performative.


A fictive space articulated through the alchemy of light and water.

Sensing space, seating for a site of speculative inquiry.

Material Matters : Architectural/Perceptual/Sensing Phenomena.
Correspondences, Human Bodies/Spatial Bodies.
Reflections/Movements/Environments/Landscapes

Using site as a research instrument, a compounded object of self assembly, and crafted components, materials and substances. A sculptural intervention, event based merging the poetic with the tectonic.

Apparatus/Device/Model.

Sensing composition, situating a site for speculative inquiry.

An exploratory and site specific installation that can open up our interior world to the proximity of both the situation of a natural environment and the experience of a conceptually made object/space that facilitates a sense of wonder, resulting in  an alchemy between these two realms of experience.

Art works constantly to  brokers these relations within us.
 

Outpost 1738311751 Russell Moreton

Reading with Deleuze and Spinoza~Radical Intuitions : Interacting with clay+ceramic.

Clayworks/Gildengate : Dispersals/Movements/Gestures of Investigative Thinking.

Craft and Art : Skill and Anxiety.

Craft is logic, and art defies it. The defiance is what makes art. The serenity of the artisan lies in her knowledge that it can all be done again. The anxiety of the artist; lies in knowing that if it is done again, she has become an artisan. (Gopnik,2014:7)


Edmund de Waal is a maker of objects with imagined histories. (Gopnik,2014:11)

Atemwende : A breathturn.

Edmund de Waal.

The Great Glass Case of Beautiful Things:

Extracting Context and Content. Clay+Ceramics in Contemporary Art.

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