![Cpw8imdgg02b5zmdzx3oig](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11610/cpw8imdgg02b5zmdzx3oig.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370210&s=1081a27a2e02f4d91ffa5c97627289f5)
Singer
By
Duncan Mountford
2016 - 2017
![Cpw8imdgg02b5zmdzx3oig](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11610/cpw8imdgg02b5zmdzx3oig.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370210&s=1081a27a2e02f4d91ffa5c97627289f5)
A large cabinet with internal lighting installed in a space in an area of Taipei once home to many sewing workshops. Within the cabinet were placed old machines, each one visible via a magnifying lens, thus easy interpretation of the objects is denied. History is not a process of facts (objects), but context and interpretation place these within the interactions of society.
![Jwkmz5lbp0sxvy92reozq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11610/jwkmz5lbp0sxvy92reozq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370212&s=aa625b7e28c434ec043bf4fb629a2b37)
![Ym0zkhmkske95y6fg1idzq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11610/ym0zkhmkske95y6fg1idzq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370214&s=e584043c517ed0d16c9604ef6d048571)
![Btqf89aloeknvu2o3nbfmg](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11610/btqf89aloeknvu2o3nbfmg.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370209&s=8f272f33ad9371c3822787a9d969b76e)
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