![Ma2zqrieonbnjxgfdzjw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11395/ma2zqrieonbnjxgfdzjw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709368137&s=6f1e6f665c0728d440d8ce30af48cc58)
Surveillance on The Plain
By
Henny Burnett
2018
![Ma2zqrieonbnjxgfdzjw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11395/ma2zqrieonbnjxgfdzjw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709368137&s=6f1e6f665c0728d440d8ce30af48cc58)
- Film and Video
- Installation Art
- Sculpture
- Mixed Media
- Participatory & Collaborative
- Surveillance
- Military
- Conflict
- Environment
- Exhibition
- Screening
Dimensions
varies according to site
Surveillance on The Plain is part of a new body of work where I make pieces of sculpture in response to a place and its stories, the work returns to its site of origin and in collaboration with the photographer Martin Urmson is documented and filmed. Salisbury Plain a scared and historical landscape offered the perfect location to gather objects, images and stories. Through casting and assemblage a sculptural installation was made, exhibited and then returned to its source. Surveillance derives from the historical military landscape of Salisbury Plain but has a wider relevance and connection to contemporary existence.
Martin Urmson
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