Skip to main content

Robert Fitzmaurice

Reading
Robert Fitzmaurice grew up in Coventry. Since 1984 he lives and works in Reading, Berkshire where he makes paintings, prints and sculptures that reflect his interest in combining figurative conventions with abstraction and historical sources.

I view the many stories we have invented to explain our place in the universe to be a profound mixture of the beautiful, the bewildering and the absurd. My paintings, prints and ceramics give these ideas form through matrices of figurative and abstract elements. 

I am very interested in how the figure has been represented across cultures and time, especially when the figure appears to the viewer in a frontal stance. I am drawn to instances in medieval and Asian art, as well as 20th century culture. Some kind of encounter is implied that gives me a framework for exploring the relationship between artist, artwork and viewer. 

By layering my references in an emblematic manner, and contrasting flatness with three dimensionality, new compound meanings emerge. Across different cultures I find there are many touchpoints which are separated by meaning yet in our globally connected, image-saturated world, singular interpretations are impossible, even if this was the artist's original intent. 

These conditions, which operate between constraint and liberation, provide me with a rich set of parameters to work with and for the viewer to meet with on their own terms.

Lived Experience

Robert Fitzmaurice grew up in Coventry, where contrasts between the old and new cathedrals, the history of the blitz and his father's accounts of being a prisoner of war influenced his young imagination. After studying Fine Art in Sunderland he took a studio with Sunderland Artists Group for a year before moving south to take his MFA at Reading University. 

Early encounters with the painters John Emanuel and Adrian Heath turned into long term friendships, and their insights into material processes and approaches to abstraction have served as important touchpoints in his own studio practice.

Invention and abstraction of the figure characterises his output. His main discipline is painting but he regularly turns to other media, especially printmaking and sculpture to consider how art can be created and interpreted. He summarises his practice as “working to conjure a presence”.

Selected group exhibitions include Whitworth Young Contemporaries, Manchester; NN Contemporary, Northampton; Creekside, APT Gallery, London, and LichtundFire, New York City. Solo exhibitions include 'Artist of the Day,' Angela Flowers Gallery, London; 'No Eden' Greenham Control Tower, Newbury; and 'No Sudden Moves', West Berkshire Museum.

He lives and works full-time on his art in Reading, Berkshire.

 

SOLO EXHIBITIONS  

2023 No Sudden Moves, West Berkshire Museum, Newbury
2021 Relations, Stories, Magic, Nuneaton Museum and Art Gallery
2019 NO EDEN, Greenham Common Control Tower, Newbury  
2018 Companion Pieces, no format Gallery, Deptford  
2018 SOLDIER, Sandham Memorial Chapel, Burghclere  
2017 To & Fro, Peacock Gallery, Reading  
2016 The peace which passes..., OHOS, Reading  
2013 The Heart’s Long Coast, More Arts, Wokingham  
2011 Recent paintings, Meller Merceux Gallery, Oxford  
2011 From here on in, Corn Exchange, Newbury  
1988 Artist of the Day, Angela Flowers Gallery, London

SELECTED GROUP EXHIBITIONS  
2026
The Unknown, Lichtundfire, New York
2025
The Edge of Abstraction, The BASE, Thatcham
Small but Mighty, Bankside Gallery, London
Bohemian Rhapsody, Lichtundfire, New York
The Sound of Silence, Lichtundfire, New York
2024
SFSA Drawing Open, no format Gallery, Deptford
2023
Condition Critical, 571 Gallery, Reading
SFSA Drawing Open, no format Gallery, Deptford
2022
38th Annual Open, Southwark Park Galleries, London
SFSA Drawing Open, no format Gallery, Deptford
Altered States, Shaw House, Newbury
Of Geometry and Gods, Side by Side, Sandham Memorial Chapel, Burghclere
2021
TILT 2021, Hoxton Gallery, London
Absent Authors, APT Gallery, London
2020  
Hastings Open, Hastings Museum & Art Gallery, Hastings  
After the Pandemic - Visions for Radical Renewal, Swarm Dynamics, Are.na  
HouseBound: Bathroom, CAS, curated by Susan Francis  
2019  
SFSA Painting Open, no format Gallery, Deptford  
35th Annual Open, Southwark Park Galleries, London  
In Reading Gaol by Reading Town, Turbine House, Riverside Museum, Reading  
Creekside Open, selected by Sacha Craddock, APT Gallery, London  
Triangulations, OHOS, Reading  
2018  
SFSA Painting Open, Deptford, London  
Imago, OHOS, Reading  
Diptych, Triptych, Polyptych, PS Mirabel, Manchester  
Open Exhibition, NN Contemporary, Northampton  
2017  
Winter Salon: Power Play, The Concept Space, London  
Rye Winter Salon, Rye Creative Centre, Rye, Sussex  
SFSA Painting Open, No Format Gallery, London  
Discerning Eye, Mall Galleries, London  
As it stands, 100 Years Gallery, London  
Small World, PS Mirabel, Manchester  
New Prints / Summer Selected by Katherine Bradford, IPC, New York  
2016  
4th Intl Juried Print, New Grounds Gallery, Albuquerque, New Mexico  
Shifting States, Espacio Gallery, London  
Innervisions, International Print Center, New York  
RA Summer Exhibition, Royal Academy of Arts, London  
Spectrum, PS Mirabel, Manchester  
2015  
MONO II, Espacio Gallery, London  
Desire Lines, OHOS, Reading  
Colour & Materials, Espacio Gallery, London  
TwitterArtExhibit, Moss, Norway  
2014  
Heaven + Hell, Espacio Gallery, London  
Hanging Tough, OHOS, Reading  
A Book about Death, Royal Cambrian Society, Wales  
Constellation, Reading Museum and Art Gallery  
Original Print Fair, Espacio Gallery, London  
2013  
Strata, Espacio Gallery, London  
Emergence, Espacio Gallery, London  
2012  
Original Print Fair, Espacio Gallery, London  
Face to Face, Espacio Gallery, London  
Viewpoints, Espacio Gallery, London  
Echo, OHOS, Reading2011  
Would you like and why not? OHOS, Reading  
Take off, New Greenham Arts Centre, Newbury  
Send Me A Postcard Darling, The Red Gate Gallery, London  
NUIT BLANCHE: Parcel Fever, OHOS, Reading  
2009  
KAMIEN (Stone) e-mail Art Project, MOKSiR Chelmek, Poland  
1994-2000  
Numerous shows at the Jelly Leg'd Chicken Gallery, Reading  
1988  
Berkshire Artists Group Show, Windsor Arts Centre  
1987  
Four Painters, Darlington Arts Centre  
Take Six, Chisenhale Studios, London  
1986  
Three Painters, Cleveland Gallery, Middlesborough  
1983  
Sunderland Artists Group Show, Washington Arts Centre  
Northern Artists, Gallery Seven, Newcastle  
Tyne Tees Northern Open, Laing Art Gallery, Newcastle and tour  
Whitworth Young Contemporaries, Manchester  
1982  
Engelsk Grafikk, Gallery F15, Norway

BACKGROUND AND EDUCATION  
1960 Born Nuneaton, Warwickshire, United Kingdom  
Since 1984 lives and works in Reading, Berkshire

1984-86 University of Reading, MFA (Painting)  
1983-84 Studio with Sunderland Artists Group  
1980-83 Sunderland Polytechnic, BA (Hons) Fine Art (First Class)  
1979-80 Coventry Lanchester Polytechnic

AWARDS  
2021
Eaton Fund
Arts Council National Lottery Project Grant (Relations, Stories, Magic)
2020  
Arts Council National Lottery Project Grant  (Absent Authors)
Arts Council Emergency Response Fund
Arts Council National Lottery Project Grant  (Of Geometry & Gods Side by Side)  
2019  
Oppenheim-John Downes Memorial Trust  
Arts Council National Lottery Project Grant  (No Eden)
2017  
Oppenheim-John Downes Memorial Trust  
1983  
Purchase prize, Tyne Tees Northern Open  
1982  
First prize in Magnolia Mouldings National Landscape Competition

CURATION AND PROJECTS  
2021 Absent Authors, APT Gallery, London  
2016 WordUp! collaboration with Peter Driver for Reading's Year of Culture

COLLECTIONS  
Sunderland University  
Magnolia Mouldings  
Reading University  
Angela Flowers Gallery  
Tianjin Academy of Fine Arts  
And private collections in UK, Europe and China

PUBLICATIONS, TALKS & MEDIA  
2022 In conversation with Tess Charnley at Nuneaton Museum
2022 Podcast: Considering Art with Bob Chaundy
2021 Feature in Imagine magazine, vol.1
2021 ‘Housebound’, Chapel Arts Studios, exhibition catalogue
2020 Review of 'Threads: Two Generations of Painters through Time'  
2020 Interview with Anna McNay for Studio International  
2020 Public talk 'Background and Influences', Friends of Reading Museum  
2019. Panel discussion with Dr. Rebecca Johnson, Güler Ates & Kirsty Harris  
2019 In conversation with Lucy Cox at Greenham Control Tower
2018 In conversation with Lucy Cox at no format Gallery (live event & film)  
2018 Interviewed by Laura Brown for Bloop Magazine  
2018 Interviewed by Lucy Cox for Painters Today podcast, episode 7  
2018 ‘SOLDIER’ exhibition catalogue
2018 Editorial Team selection for ArtMaze Mag, issue 6, January  
2017 Featured image in Discerning Eye catalogue  
2016 Talk: ‘The peace that passes all understanding’, OHOS, Reading  
2016 Talk: ‘Forms of Exchange: the journey from source to motif’, NGA
2015 ‘Eliza's Entertainments’, images for poetry by Adrian Blamires  
2014 Interview on the Palette Pages  
2014 ‘Transformations’, a contemporary working of Ovid's Metamorphoses  
2014 ‘Heaven + Hell’, catalogue with an essay by Anna McNay  
2012 FAD News Q&A  
2010 ‘From here on in’ exhibition catalogue, essay by Adrian Blamires  
1988 ‘Artist of the Day’, exhibition catalogue, Angela Flowers Gallery 

 

Download CV

Join Axis

We support artists

Funding, visibility, connection and practical help. 

Membership includes £15 million of Public Liability Insurance!

Axis is an independent charity, funded by our members. 
Become a Member

Axis turns 35 this year

In 2026, we’ll put more than £70,000 directly into artists’ hands.

We support artists with funding, visibility, connection and practical help. 

Membership includes £15 million of Public Liability Insurance!

Axis is an independent charity, funded by our members. 
Learn more