ANAM CARA REMIX (SHEBEEN I / PIRATE STATION)
- Installation Art
- Sculpture
- Photography
- Film and Video
- Mixed Media
- Sound Art
- Live Art
- Socially Engaged Practice
- Spiritual & Philosophical
- Socioeconomic Structures & Consumerism
- Personal Narratives & Identity
- Global Perspectives & Multiculturalism
- Social & Political
- Health & Wellness
- Heritage & Archives
- Participatory & Collaborative
- Urban Dynamics & Public Realm
- Critical Sound Practice
- Sound
- Sound Art
- Sound Installation
- Sound
- Soundscape
- Social Practice
- Socially Engaged
- Socially Engaged Practice
- Listening
- Spray Paint
- Community
- Community Art
- Community Engagement
- Community Practice
- Public Art
- Public Space
- Performance
- Performance Art
- Photograhy
- Video
- Video Art
- Installation
- Installation Art
This work explores sound as a form of connection, a meeting point between people, place, and memory. Developed as part of a wider project reflecting on a one-year residency at Metroland Cultures in Kilburn, the piece brought together a circle of percussionists that echoed through the space, creating a shared pulse between performers and audience. Each percussionist took a turn to lead, each one having the opportunity to be heard, reflecting on exchange, listening, and equality. The layered percussive sounds become a medium for dialogue, between cultures, generations, and histories, transforming the space and the streets outside into a resonant space of collective energy and sound.
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