![Vr9zsq2gnuom8ns0xncwa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/vr9zsq2gnuom8ns0xncwa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370647&s=fd5984f2ff324aff9673b9f376e29efe)
Evidence Nine
By
Susan Banks
2017
![Vr9zsq2gnuom8ns0xncwa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/vr9zsq2gnuom8ns0xncwa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370647&s=fd5984f2ff324aff9673b9f376e29efe)
Evidence Nine follows a visit to the house of Julia Felix and the discovery of more delicate and faded suggestions of graphic elements. A catenery curve was established empirically. Rather than the painting being decorative, where a subject is embellished, the decoration is the predominant subject of the painting.
Oil on deep canvas.
![Zxu9fobin0k8nvfdeszt7w](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/zxu9fobin0k8nvfdeszt7w.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370657&s=8cfad366c79f8c85b14e3985be1c1030)
Susan Banks
![Kvoybsixdkumncjyodc4ag](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/kvoybsixdkumncjyodc4ag.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370615&s=982419a485f8ae9c03f6fb7c95ebaf60)
Susan Banks
![Vrlxymlnmu2vqjts5bxha](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11640/vrlxymlnmu2vqjts5bxha.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709370647&s=ef50573f86019a08b7ec7e21d57f1d07)
Susan Banks
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