Evidence Ten
By
Susan Banks
2017
Evidence Ten, [yet] another painting that flouts the artist’s intention. It follows Evidence Nine and a visit to the house of Julia Felix and the discovery of more delicate and faded suggestions of graphic elements. A catenary curve was established empirically. Rather than the painting being decorative, where a subject is embellished, the decoration is the predominant subject of the painting
Susan Banks
Susan Banks
Susan Banks
Helping Artists Keep Going
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