![Ielzwywf10ckai1ym97nyq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11982/ielzwywf10ckai1ym97nyq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381930&s=6336c6f2ae6b73425b152ec2f469c3b6)
SCENTED (Portrait of Tracey Emin) by Robin Nature-Bold, 2019
By
Mike Chavez-Dawson
2019
![Ielzwywf10ckai1ym97nyq](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11982/ielzwywf10ckai1ym97nyq.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381930&s=6336c6f2ae6b73425b152ec2f469c3b6)
2019 sees the re-examination of 'Robin Nature-Bold' retired alter ego (a living portrait), a punkster/prankstar [sic] wannabe shock artist, fudging his deluded work as a homage to the legacy of the yBa's now oBa's, half tongue in cheek half commentary on the whimsical fashion of contemporary art, he seeks to plunder its constructed histories/mythology - looking for the quirks and distasteful.
SCENTED sees a new portrait of Emin with female genitals as her nose, a liquid chalk drawing (painted/drawn on the cover of a book of Billy Childish litho prints).
![Rzrqce4ca0gh6jzystkafw](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11982/rzrqce4ca0gh6jzystkafw.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381949&s=a12f2b421ffc25a5b3b236f56bd500bf)
Mike Chavez-Dawson
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