Highlights

Radicata, 2025 by Veronica Revuelta Garrido

It speaks to the unseen organ that sustains life, both visceral and sacred.

Made from fabrics belonging to the women who raised me, the piece holds memory, tradition, and care within its stitched form. Wrapped in scoby leather, grown and dyed at home, the placenta becomes a living skin: fragile, preserved, and symbolic of matrilineal inheritance. Placed on a silver tray, it rests as both offering and remembrance, a root into the body and into history. 

Alhaja, 2025 - 2026 by Lucía Scarselletta

Solo show at Outhouse Gallery. Tapestry and video installation.
Curated by Isabel Reed. 2026, London, UK.

unwanted flesh, 2024 by Delphi Campbell

“unwanted flesh,” like much of my work serves to unravel the facets of my being; it acts as an archive of sorts – archiving not only the different parts of myself/body but the growth of “unwanted flesh” itself.

“There is a sense that this body (of work) is in a perpetual cycle of shedding and then reabsorbing, feeding upon itself. There is no such thing as ‘waste’, every part is hoarded, amassed and reserved - just in case. The body consumes and re-consumes - it is a feast.” – Poppy Jones-Little

The body of work was created while I went through a medically induced menopause, and it maps my journey as well as the variety of comorbid illnesses that feast on my flesh. Disparate panels are tethered together by gauzy veils that mimic the effect that deep-infiltrating endometriosis has had on my organs. Just as these caricaturised and abstracted objects are forged together, my identities, life experience and flesh are bound together.

“I have withheld the words 'monstrous’ and ‘grotesque’ up until now, largely as both terms are loaded with (and hindered by) often unhelpful art historical references which are almost completely devoid of joy. And there is something so wildly joyous, kitsch and camp in the work - each ounce is imbued with a radical love for bodies.” – Poppy Jones-Little

The Last Boar of Bradford (2), 2023 by Naomi Aderonke

Following on from the LBoB rug I created this piece as more of a response to the over hunting of boar by the rich.

The stool is a repurposed gout stool. Something used by those who would over eat on indulgent foods; including boar.