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Ever Grainger

South East
Working since 2019 with hand-extruded silicone. Through adapted processes with a simple sealant gun, silicone is squeezed, squashed and drawn with into works that sit somewhere sculpture and drawing.

Recent work has built on a long-standing interest in art histories and the entangled ramifications of the range of artists’ tools and materials at play: from the basic pencil to the recent advancements of 3D scanning and prototyping.

With current computer technology removing the need for any physical interaction, I instead return to more basic tools where spontaneous overrides, and responsive control in the moment are still possible as a way of attempting to retain contact and negotiate this dilemma. 

 

Education:

2003, BA(Hons) Fine Art, Birmingham City University

Selected Exhibitions:

2003, ‘New Contemporaries’, Manchester Cornerhouse & Victoria Miro, London

2004, ‘Now You’ve Seen It’, (solo installation), New Art Gallery Walsall

2004, ‘Curious’, Occupy my Time, Shoreditch Town Hall, London

2004, ‘Imprint of The Orient/The West’, Gallery Works, Osaka, Japan

2004, ‘The Turner Prize Show’, Space Banana, Birmingham

2005, ‘Living Rooms’, (residency solo), ESC Gallery/Cultural City Network, Graz, Austria

2005, ‘Urbanbodies’, Occupy my Time, 27 Brick Lane, Whitechapel, London

2005, ‘Last Chickens of Sainsburys’, Glasgow International Art Festival

2006, ‘Unravelling Photography’, Quay Arts Centre IOW

2008, ‘Spectre’, Brighton Media Centre, Brighton Photo Biennial Fringe

2010, ‘Here/There’, installations, Ryde Arts Festival, Isle of Wight

2010, 'Nature Rewritten', Wieden + Kennedy, Jotta Contemporary, London

2010, ‘Re: Landscape’,  Viewfinder Gallery, London

2011, ‘Print Now’, Bearspace, London

2011, ‘Close Your Eyes and Tell Me What You See’,  Gothenburg Museum of Art, Sweden

2011, 'Second Nature' Crane Kalman, Brighton

2015, ‘Belief’, group show curated by Jo Hummel, Foal Arts, Ryde

2012, ‘Is That It’, Phoenix Gallery, Photo Biennial Fringe, Brighton

2012, ‘The World in London’, The Photographers Gallery, London

2015, ‘Blancmange by Day, Jelly by Night’, installation, sea caves, Freshwater

2016, ‘Pair Shaped Show’ group show, my shed, Freshwater,Isle of Wight

2017,  ‘Cairns’ flash installations, Freshwater Bay and Compton Beach, Isle of Wight

2018, ‘Building’, joint exhibition with Lisa Traxler MRSS, Sculpture Network, Bunker Gallery, Ventnor

2018- 2022, works and installations devised for own home garden/gallery space open to public, Brighstone Isle of Wight

2022, Royal Academy of Arts Summer Exhibition, selected by Rana Begum and Alison Wilding, RA, London

2022, Royal Society of Sculptors, Summer Show, curated by Isabella de Vasconcellos, Cromwell Place, London

2022, Wells Art Contemporary (installation), Wells Cathedral, Somerset

2022, Royal West of England Academy Annual Open, Bristol

2023, ’Made You Look’,  group show, Helm Gallery Brighton

2023, ’Wish You Were Here’,  group show curated by Jo Hummel, Ventnor Fringe

2023, ING Discerning Eye Exhibition, Mall Galleries, London.

2024, ‘Reality Check’, Royal Society of Sculptors, Summer Show, curated by David McAlmont, Dora House, London

2024, ‘Reality Disrupted’, group show, curated by Joanna Kori, Art_House_Life, Ventnor Fringe Festival

 

Residencies:

2004, New Art Gallery Walsall

2005, Cultural City Network, Graz, Austria

2010-12, Residency and lead artist, heritage and workshops, Julia Margaret Cameron Trust.

 

Projects/Curation:

2005- 2007, Image Archive Curator for the Stereoscopic Society of Great Britain

2012, Curator of the Permanent Collection, Julia Margaret Cameron Trust, Isle of Wight

2016, ‘Pair Shaped Show’ My Shed, Freshwater, Isle of Wight

2018- 2022, Home garden/gallery space open to public, with guest artists, Brighstone, Isle of Wight.

 

Prizes/Awards:

2003, Bloomberg New Contemporaries

2005-2010, Arts Council and Heritage Lottery funding awards (practice and projects)

2021, Elected Member of the Royal Society of Sculptors

2022, Pangolin Digital Ltd Sculpture Prize
 

Public Collections:

National Science & Media Museum, Bradford

University of the Arts, London
 

Note:

Name pronunciation as in ‘ever since'

Preferred pronouns She/They (either or rolling use)

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