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Michelle Marie Forrest

Bristol
Artist and researcher.

My practice is centred around the promise of a scattered methodology, which I describe as a loosely-articulated framework, wherein, a constellation of thoughts, processes and practice can be turned over and contemplated without seeking a resolution.

I describe my approach as ‘psycho-techno-archaeological’, which is a mashup of technical methods and processes {active listening, remixing, fieldwork} that I use to bring together fragments of things. Reconfiguring objects and images, including material from film, music, poetry, literature and theory, I am curious if something of a different nature can be inserted or even transfigured into something else, causing a disruption, shift, or even a new form of connection.

In response to the burden of an infinite, industrialised connectedness {the network, social media, digital communication} that does not necessarily equal connection, my practice draws attention to disconnectedness through the physicality of editing processes and arbitrary systems of human interpretation rather than machinic reprocessing.

Considering matters which range from the personal to the existential {broken hearts, financial instability, identity crises, our place within the cosmos, the prospect of a multiverse} I slowly process these matters, as matter. What emerges is often simultaneously both a celebration and a shattering of the tenuous relationships between things.

 

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