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Abîme des Oiseaux

By Jenny Mellings 2018 - 2025

This painting is based on the sighting of a kestrel  on the Isle of Portland, Dorset during a walk  in which it appeared to follow me around a quarry.  At the time the painting was started I was reading about and listening to the work of Olivier Messiaen, which is why Abîme des Oiseaux seemed appropriate as a title. This also related to other events then involving refugees. However, since then the image has developed further to include a figure and has taken on new meaning, as the man-made landscape and large scale earth movement going on is similar to what I've seen on a former archaeological site I've recently been visiting near my home. This is because that ground is being prepared for the building of new housing. 

Forum detail 1714124772 Jenny Mellings

Sun-Barded Horse

This is a painting of two layers relating to the experience and limitations of communication via Skype. The shadowy 'figure' is trapped behind a screen, obscured by the pointillist/divisionist dots of light. The colours suggest a nocturnal view, dominated by orange, which reflects of the ubiquitous colouring of the sodium vapour streetlamp.

Skype 2

Transtemporal Edifice 1

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