![Tmqdh9jkuwxzkhvpylwa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11982/tmqdh9jkuwxzkhvpylwa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381951&s=295aaf8fb74bfccb723321abde1243d2)
BEAT IT (Portrait of Jeff Koon's) By Robin Nature-Bold, 2019
By
Mike Chavez-Dawson
2019
![Tmqdh9jkuwxzkhvpylwa](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11982/tmqdh9jkuwxzkhvpylwa.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381951&s=295aaf8fb74bfccb723321abde1243d2)
2019 sees the re-examination of 'Robin Nature-Bold' retired alter ego (a living portrait), a punkster/prankstar [sic] wannabe shock artist, fudging his deluded work as a homage to the legacy of the yBa's now oBa's, half tongue in cheek half commentary on the whimsical fashion of contemporary art, he seeks to plunder its constructed histories/mythology - looking for the quirks and distasteful.
BEAT IT sees a new portrait of Jeff Koons with genitals as his nose, a liquid chalk drawing (painted on the cover of a book of Andy Warhol silk screens).
![Uqqfvzqeeuugxo2m5kxh2q](https://axis-arts.transforms.svdcdn.com/production/user-uploads/user-11982/uqqfvzqeeuugxo2m5kxh2q.jpg?w=600&q=80&auto=format&fit=crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&dm=1709381951&s=d0bebebf510a5ce9ab258f15f8e2fe0f)
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