Ceramic Asperities, Iterative Dialogues of Material Resistance/Excess Energy.

Transductions~Rememberances~Multiples with Serial Variations on Clay.

Existent Matter(s) : Testimony~Material~Making

Forces in Suspension : Between Human Intension and Material Behaviour.

Clay has the capacity to make-felt, the felt-force of something otherwise imperceptible.

Ceramic Remembrances : Exploring the sociology of making and the touching tactility of minor gestures in artworks.

Speculative Learning Through The Processual : Gathering Thoughts in the Making.

An Artful Anarchive : Making as a gathering of force into forms holding  multiple minor gestures.

Anarchive Spatial Structures.

An anarchive is a creative process and philosophy that resists traditional, static archiving. Instead of just storing past traces, it acts as a "feed-forward mechanism" that uses archival material to continuously spark new art, sensations, and becoming.

Key Concepts

Process over Product: Traditional archives preserve inert documents. The anarchive treats these traces as carriers of potential, constantly mutating into new creative iterations.

Reactivation: Traces from the past are used as springboards to inspire new thought and ongoing variation, rather than settling on historical truth.

Excess Energy: The anarchive is considered the "surplus value" of the archive—it lives in the movements going into and coming out of storage.
 

Clay~Ceramic : On the transduction of material force into forms of time.

Ceramic Remembrances : Exploring the sociology of making and the touching tactility of minor gestures in artworks.