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Incarnate

By  Jane Ponsford 2017 - 2018
2017, variable size, handmade cotton, linen and lokta paper dyed and stained, wire and thread. Table top installation. The piece, which has grown incrementally is one of the rare occasions that I have used a really saturated colour. I have found it very interesting to work with vibrant pigments and dyes, drawn into and becoming part of the paper pulp. Inevitably that has become the subject of the work. It was made for a research project and exhibition with Share, an Artist Peer Group, which has met once a month at Fabrica, Brighton’s Centre for Contemporary Art, for over 8 years. It acts as a forum for exchange and collaboration and was originally set up by Caitlin Heffernan as part of Fabrica’s support for artists in the South East. Red is evocative, it exudes drama, danger, sex appeal, glamour and politics. The artists explored interior and exterior space, identity, displacement, materiality, the body, ways of seeing, storytelling and rituals. The exhibition included painting, sculpture, film, site-specific installation, photography and drawing and brought together nine artists exploring aspects of the colour Red. Jane Andrews, Lucy Brown, Gabby Dempster, Helen Goodwin, Caitlin Heffernan, Eva Kalpadaki, Jane Ponsford, Teresa Whitfield and Jayne Wilson.
prettier-ignore-start 47127 prettier-ignore-end Jane Ponsford
A book made by binding together handmade sheets of paper and found pages from paperback books. Made during a residency at The Lightbox, Woking as part of the 'Recycled by Design' project. First shown in 'Translations' at the Lightbox in 2008

Translations

I think of this piece as a drawing which describes a circle in a very complicated way. It was made using a repetitive arrangement to accumulate near identical elements and yet what emerged emphasises the differences; the errors in the process. One of three related pieces.

White Drawing

Lexicon

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