Joseph Ingleby
Concepts
Joseph Ingleby's work concerns a combination of two sources - the natural and the mechanistic. Not as two opposing natures, but as a combined, evolved new form - a metamorphosis of inner natures - reflected in shape and content. Joe usually works with metals such as sheet steel, galvanised steel or copper to create abstracted and semi-abstracted volumetric structures. 'Socket' is made from rolled sheet steel with an inner 'core' or softer copper sheet. The outer form is both nautical and seed-like, the inner a more architectural 'yoke', creating a negative socket shape. It explores ideas of metamorphosis, positive and negative, artificial and natural. 'A Taste of Honey', based on a spoon, is made of steel mesh with sheet copper in the spoon end. Evoking ideas of taste, the fragile mesh structure suggests insect wings; the spoon end with its moir of copper stripes, images of a honey bee.
Influences
Many sources influence Joe Ingleby, from natural forms of organic shape and growth as well as man-made forms from the industrial world. Movement, growth, evolution and change in shapes are inspirational catalysts in creating his work. In nature, Joe is particularly inspired by the internal and external forms found in seed pods, cell and plant structures. Machinery and aerodynamic aspects such as in the forms and components of aircraft and car design also interest him.
Career path
Joseph Ingleby began with an art foundation course at Hull College of Higher education, followed by a BA (Hons) degree (1st class) in sculpture at West Surrey College (now Surrey institute of ) Art and Design, Farnham. He subsequently attended a post-graduate Higher Diploma in London at the Slade School of Fine Art. His search for a more permanent, affordable, well-equipped studio/workshop led him to join Glasgow Sculpture Studios in 1989. Since then Joe has exhibited in London, Glasgow and Edinburgh and has public sculpture sited in Swindon, Stirling and Aldershot. In 1996 he won a major artist's award from the Pollock-Krasner Foundation, New York. Commissions include public sculptures in Alloa, Clackmannanshire; Dalfaber, Aviemore; by the Clyde at Dalmarnock Bridge, Rutherglen, Glasgow and at the Bulwell Riverside, Nottingham. In 2013 he was awarded an Individual Support Grant from the Gottlieb Foundation, New York. His work is in both public and private collections. In 2018 he completed the Denny Treasure Trail, a series of small works commissioned as part of the major regeneration of the town centre of Denny, near Falkirk, Scotland and in 2021 a commission in Lerwick, Shetland as one part of the LOCUS Public Art Trail. In 2023 Joe completed the Tillydrone Tops commission, by the River Don in Tillydrone, Aberdeen, for the Tillydrone Community Trust.
Public commissions
2023 The Tillydrone Tops, Tillydrone, Aberdeen, Scotland
2021 Storm Cargo, LOCUS Public Art Trail, Lerwick, Shetland
2018 Denny Treasure Trail, Denny, Falkirk, Scotland
2012 Waterland, Bulwell Riverside, Bulwell, Nottingham, England
2001 Slipstream, Dalmarnock Bridge, Rutherglen, Glasgow
2000 Plant Series, Dalfaber Wood, Aviemore, Scotland
1998 Time Vessel, Alloa, Clackmannanshire, Scotland
Projects
2001 Slipstream
Competitions, prizes and awards
2013 Individual Support Grant , The Adolph & Esther Gottlieb Foundation, New York
2011 National Fund for Acquisitions; purchase of Reservoir Tap, University of Stirling Art Collection, University of Stirling, Scotland
1999 Grant towards Sculpture Space Residency, Utica, USA, Hope-Scott Trust, Edinburgh
1999 Grant towards Sculpture Space Residency, Utica, USA, Scottish Arts Council , Edinburgh
1998 The Friends of the Royal Scottish Academy Bursary 1998, Royal Scottish Academy, Edinburgh
1996 Major award , The Pollock-Krasner Foundation, New York
1995 Grant towards Scottish Sculpture Open 8 exhibition, Hope-Scott Trust, Edinburgh
Solo exhibitions
1997 Anderson Christie Architects, Glasgow
1993 Collective Gallery, Edinburgh
Group exhibitions
2021 10 gram Challenge, Royal Society of Sculptors, RSS Gallery, London
2016 Converge 2016, Visual Arts Scotland; Royal Scottish Academies, Edinburgh
2010 Engineered, Royal British Society of Sculptors, RBS Gallery, London
2003 Royal Society of British Sculptors Annual Exhibition, RBS Gallery, London
2002 Royal Society of British Sculptors Annual Exhibition, RBS Gallery, London
2001 Hart Gallery Leeds Exhibition 2001, Phillips Auction House, Leeds
1998 Royal Scottish Academy Annual Exhibition, Royal Scottish Academy, Edinburgh
1997 Society of Scottish Artists Annual Exhibition, Royal Scottish Academy, Edinburgh
1995 Cast, Carved and Constructed, Crawford Arts Centre, St Andrews
1995 Scottish Sculpture Open 8, Kildrummy Castle, Aberdeenshire and MacRobert Arts Centre, Stirling
1994 Fuse Exhibition, The Italian Centre, Glasgow