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Rhiannon Rebecca Salisbury

London
London-based painter working with oil, pigment and repurposed Welsh slate. My work explores material memory, geological and labour histories, landscape and transformation.

I am a London-based painter working with oil, oil stick, oil pastel and pigment on canvas and repurposed Welsh slate. My practice explores material memory, landscape and transformation, with particular attention to the histories already carried by the surfaces I use.

In my recent slate paintings, the stone is more than a support. Its weight, fractures, edges and previous use shape the image from the beginning. I work responsively, allowing forms to emerge that suggest landscapes, chambers, flames, vessels, thresholds and apparitions. The paintings move between abstraction, artefact and imagined place.

My approach is informed by geological time, extraction histories and my Welsh family connections to coal and slate mining. I am interested in how material can hold traces of labour, shelter, damage and endurance, and how painting can bring those histories into contact with more personal experiences of motherhood, care and bodily change.

Rather than treating landscape as a fixed view, I approach it as something remembered, inherited and transformed. Through the meeting of paint and stone, I create works that feel both physical and uncertain: fragments of the earth that also operate as portals into interior, mythic and otherworldly spaces.

Lived Experience

My lived experience is shaped by motherhood, care, neurodiversity and a strong connection to Welsh family history. Becoming a mother changed the direction of my practice, bringing questions of bodily transformation, vulnerability, endurance and invisible labour into the work.

I also draw on my family’s connections to coal and slate mining in Wales. These histories have deepened my interest in materials that carry traces of labour, extraction, shelter and use. Working with repurposed Welsh slate allows me to connect personal inheritance with wider social and geological histories.

As an artist with ADHD, dyslexia and dyspraxia, I often work through intuition, repetition and physical engagement with materials. My process is responsive rather than predetermined, and I allow the surface to guide the development of each painting. These experiences inform a practice concerned with care, memory, transformation and the ways histories can remain embedded in bodies, landscapes and objects.

 

CV       RHIANNON REBECCA SALISBURY

 

EDUCATION

2025 – 2026

MA Painting, Royal College of Art, London

 

2016 – 2018

Turps Banana Studio Programme, London

 

2015 – 2016

MA Fine Art, Chelsea College of Arts, London

 

AWARDS & SCHOLARSHIPS

Cass Art Prize, Shortlist, 2026 

Basil H. Alkazzi Scholarship Award, Royal College of Art, 2025–26

Unit 1 Gallery Workshop Solo Residency Award, London, 2023

Overall Delphian Open Call Winner, Delphian Gallery, 2019

Darbyshire Prize for Emerging Artist, Turps Banana, 2018

John Hoyland Scholarship, Chelsea College of Arts, 2015


 

SOLO EXHIBITIONS

Allen Gallery 2027 (upcoming)

Matrescence

Unit 1 Gallery Workshop, London, 2023

 

Chthonia

Arusha Gallery, Edinburgh, 2022

 

Femininity

Delphian Gallery, London, 2021


 

Habitual Submission

Delphian Gallery, London, 2019

 

Rhiannon Salisbury: Darbyshire Prize Exhibition

Turps Banana x Darbyshire Ltd., London, 2018


 

SELECTED GROUP EXHIBITIONS

LONDON WRITES ITSELF: LBF’s 2026 London art graduate discoveries, LBF  Contemporary,  London, 2026

RCA 2026: School of Arts & Humanities Show, MA Painting, London, 2026

 

Illuminated, Royal Society of Arts x AOAP Projects, RSA House, London, 2026

 

Shifting Realities, Hockney Gallery, Kensington, London, 2026

 

Mythic Manifest, Love Waxes Cold, 2025 

 

POST//FUTURE, Saatchi Gallery, London, presented by Delphian Gallery, 2025

 

The Reactor Fundraiser, The Sunday Painter, London, 2024

 

Papier Vol. I & II, Delphian Gallery, France (2023) / Helsinki (2024)

 

Taking A Broom To The Wasps’ Nest, Pictorum Gallery, London, 2022

 

Dream Baby Dream, Fitzrovia Gallery, London, curated by Paint Talk, 2022

 

Global Song, Tang Contemporary, Hong Kong, 2022

 

L2022DON, Galleri Ismene, Norway, 2022

 

Antisocial Isolation, Saatchi Gallery, London, curated by Delphian Gallery, 2021

 

Origin, Delphian Gallery, London, 2021

 

Tangled in the Blue, Purslane Arts, London, 2021

 

House S1, Collective Ending, London, 2020

 

RESIDENCIES

Allen Gallery Resident, 2026 - 2027

Unit 1 Gallery Workshop Solo Residency, London, 2023

Clovermill Residency, Netherlands, 2022

Collective Ending, Inaugural Studio Member, London, 2019–20

Absent Minded Residency, Gaillac, France, 2019

Panorama Residency, Chelsea College of Arts, Guadalajara, Mexico, 2016

 

CURATION

The Eyes of the Night Creatures

Delphian Gallery x Artsy, curated by Rhiannon Salisbury, 2021


 

Ancient Deities

Arusha Gallery, curated by Rhiannon Salisbury, 2020

 

SELECTED PRESS

Evening Standard, Matrescence: Rhiannon Salisbury, 2023

Young Artists in Conversation (YAC), Interview, 2022

TEMPUS Magazine, Pictorum Gallery Feature, 2022

Made in Bed Magazine, Sotheby’s Institute London, Emerging Artist Feature, 2022

SPACE Podcast, Out of SPACE Episode 3, 2021

Artsy, “5 Artists On Our Radar”, 2021

Artlyst, Ancient Deities Review, 2020

This Is Tomorrow, Exhibition Review, 2020

Download CV

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