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Kayleigh Peters

Henfield, West Sussex
A British Artist with a practice rooted in feminism, health, and social change, exploring the body, resilience, and nature through ceramics and textiles to challenge perceptions and inspire dialogue on collective wellbeing.

Material lies at the heart of Kayleigh Peters’ artistic practice, where form takes precedence over function. Her work is deeply rooted in clay, a medium that connects her to the earth and life itself. For Kayleigh, the vessel is a symbol of the body, and her exploration of abstract, non-functional ceramic forms simplifies the human form into reflective, autobiographical narratives. This act of making transforms her practice into quiet activism, addressing the taboo nature of hidden illnesses, particularly those of the uterus.

Each vessel she creates is imbued with personal experience and broader societal themes. Imperfections and defective glazes serve as metaphors for the hidden struggles of the body, emphasizing what is typically concealed. By bringing these flaws to the forefront, Kayleigh transforms vulnerability into beauty, encouraging conversations about health and well-being. Her work challenges the systemic neglect of women’s health in medical research, fostering visibility and advocating for change.

Drawing inspiration from historical myths and legends of gods and goddesses, Kayleigh incorporates these narratives into her work, linking past and present perceptions of gendered health biases. By exploring how historical ideas have shaped societal expectations of what should be hidden, she asks critical questions: How did we arrive at our current underfunded, inequitable healthcare systems? How can we envision equity and equality in health?

Kayleigh’s pieces are visually and conceptually layered. Inspired by the microscopic landscapes of the body, contrasting colors and textures symbolize the internal conflicts endured by those with hidden illnesses. These surfaces invite viewers to confront the beauty and difficulty of what lies beneath, breaking taboos and sparking engagement.

Her practice integrates reflective autobiographical making with historical and cultural research, weaving together personal struggles and collective issues. By addressing hidden illnesses and gendered biases in healthcare, Kayleigh’s work highlights the importance of visibility, empathy, and activism. Her vessels are not just objects of craft but tools for storytelling and societal change. Through her innovative use of material and process, she reclaims the power of the hidden and challenges us to imagine a more equitable and compassionate future.

 

 

Exhibitions

2024 

Ascertain, Espacio Gallery, London. Curated by Luminoir Art

Crawley Summer Exhibition 4th-8th July

Ferens Art Gallery Summer Exhibition, June - September

Poorly, AMP Gallery 14th- 16th June

Cluster Crafts, London 15th - 19th May

All Of The Things None of the Time Group Show, Berwick-upon-tweed 3rd -26th May

AKA Contemporary, Spring Exhibition 15th March - 13th April

Within the Limitations, 8th - 10th March

Gallery BN5 - 31st January to 30th April

2023 

Thrown Contemporary Winter Exhibition

2022

Liberty Specialist Markets Art Award, London

Cluster Crafts Fair, London

2021

Global Online Graduate Show

New Designers, London

Graduate Online Show, University of Brighton

2018

On the Shelf at The Basement, Brighton

 

Awards

2024 

Curatorspace #25 Bursary Award

LumiNoir Art AiR Selection Award Winner

Selected to be Associate Artist in a year long programme with the Devonshire Collective in Eastbourne.

2022 

Selected for the Liberty Specialist Market Art Award

2006 

N.I.C.E.I.C award

2005

Young Craftsperson of the year in Ceramics 1st and 2nd prize

Residencies

2024

101 Outdoor Arts, December 2024

Education 

2018-2021 

University of Brighton - BA (Hons) 3D design and craft

First Class Honours

2017-2018

Greater Brighton Metropolitan college

Level 2 foundation art and design - Distinction

Featured in

blog

Highlights: 12 - 16 August, 2024

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