Kayleigh Peters
Material lies at the heart of Kayleigh Peters’ artistic practice, where form takes precedence over function. Her work is deeply rooted in clay, a medium that connects her to the earth and life itself. For Kayleigh, the vessel is a symbol of the body, and her exploration of abstract, non-functional ceramic forms simplifies the human form into reflective, autobiographical narratives. This act of making transforms her practice into quiet activism, addressing the taboo nature of hidden illnesses, particularly those of the uterus.
Each vessel she creates is imbued with personal experience and broader societal themes. Imperfections and defective glazes serve as metaphors for the hidden struggles of the body, emphasizing what is typically concealed. By bringing these flaws to the forefront, Kayleigh transforms vulnerability into beauty, encouraging conversations about health and well-being. Her work challenges the systemic neglect of women’s health in medical research, fostering visibility and advocating for change.
Drawing inspiration from historical myths and legends of gods and goddesses, Kayleigh incorporates these narratives into her work, linking past and present perceptions of gendered health biases. By exploring how historical ideas have shaped societal expectations of what should be hidden, she asks critical questions: How did we arrive at our current underfunded, inequitable healthcare systems? How can we envision equity and equality in health?
Kayleigh’s pieces are visually and conceptually layered. Inspired by the microscopic landscapes of the body, contrasting colors and textures symbolize the internal conflicts endured by those with hidden illnesses. These surfaces invite viewers to confront the beauty and difficulty of what lies beneath, breaking taboos and sparking engagement.
Her practice integrates reflective autobiographical making with historical and cultural research, weaving together personal struggles and collective issues. By addressing hidden illnesses and gendered biases in healthcare, Kayleigh’s work highlights the importance of visibility, empathy, and activism. Her vessels are not just objects of craft but tools for storytelling and societal change. Through her innovative use of material and process, she reclaims the power of the hidden and challenges us to imagine a more equitable and compassionate future.
Exhibitions
2024
Ascertain, Espacio Gallery, London. Curated by Luminoir Art
Crawley Summer Exhibition 4th-8th July
Ferens Art Gallery Summer Exhibition, June - September
Poorly, AMP Gallery 14th- 16th June
Cluster Crafts, London 15th - 19th May
All Of The Things None of the Time Group Show, Berwick-upon-tweed 3rd -26th May
AKA Contemporary, Spring Exhibition 15th March - 13th April
Within the Limitations, 8th - 10th March
Gallery BN5 - 31st January to 30th April
2023
Thrown Contemporary Winter Exhibition
2022
Liberty Specialist Markets Art Award, London
Cluster Crafts Fair, London
2021
Global Online Graduate Show
New Designers, London
Graduate Online Show, University of Brighton
2018
On the Shelf at The Basement, Brighton
Awards
2024
Curatorspace #25 Bursary Award
LumiNoir Art AiR Selection Award Winner
Selected to be Associate Artist in a year long programme with the Devonshire Collective in Eastbourne.
2022
Selected for the Liberty Specialist Market Art Award
2006
N.I.C.E.I.C award
2005
Young Craftsperson of the year in Ceramics 1st and 2nd prize
Residencies
2024
101 Outdoor Arts, December 2024
Education
2018-2021
University of Brighton - BA (Hons) 3D design and craft
First Class Honours
2017-2018
Greater Brighton Metropolitan college
Level 2 foundation art and design - Distinction