Jera May
I am neurodiverse and not quite fitting in has created an endless questioning of norms which has driven my practice.
As both an artist and educator, I am committed to developing inclusive approaches to drawing and making. I understand drawing as a mode of thinking and inquiry — a way to expand sensory awareness, access the unconscious, and cultivate connection. Currently, I use diverse drawing tools, impulsive mark-making, and experimental processes to translate philosophical and spiritual ideas, alongside contemporary thinking around interconnectedness and difference.
In addition to my drawing practice, I have an evolving community-based collaboration practice and an object-based studio practice. Materially, I tend to work with something — an old drawing, object, map, story, or place. Attending to its original context and values, I reconfigure and intervene through installation, addition, arrangement, casting, collage, drawing, photography, film or performative action. These processes become ways of articulating ideas, exploring philosophical questions, and reflecting on lived experience, or to instigate change — sometimes personal, sometimes cultural, sometimes cosmological.
Writing on 'The Delirium of Joy', The artist and writer Ambrosine Allen describes;
“I felt what May had created was a kind of ghostly archive, where real landscapes are layered with inner more metaphorical landscapes and connections are formed between past and present, fact and fiction. I left thoughtful about the idea of 'sculptural film', impressed by both the physical power of the installation and the romantic illusions of the projected media, seduced by how you can get lost somewhere in-between.”
Qualifications
2008 - MA Fine Art: Sculpture, Distinction, Wimbledon College of Art, University of the Arts London 2008 - Post Graduate Certificate in Education, University of Westminster 1992 - BA (Hons) 3D Design (Glass), First class, Wolverhampton University
Current Projects -
Escalate Arts - Fernery Flyover -2026
Feltham Arts - Station Gallery - 2026
Funding -
Develop your creative practice grant - Arts Council, England 2025
Axis Bursary, Developing Practice 2024
Current Academic Position - Foundation Art & Design Course Leader City Lit - 2019 - Present
2013 -2018 - Head of Richmond Art School
2008 -2013 Learning Manager Visual Arts, lecturer HNC/D Fine Art & Foundation Art & Design RACC
2006 -2008 -Faculty Manager Visual Arts, lecturer HNC/D Fine Art & Foundation Art & Design RACC
2004 – 2006 Program leader, lecturer HNC/D Fine Art & Foundation Art & Design RACC
2002 -2004 Lecturer Glass & Sculpture RACC
Exhibitions
Art of the Possible, PM Gallery, Soane Museum Ealing , Construction , Gallery, 74 - 80 Upper Tooting Rd London, Normalcy Bias, Listros Galerie - Berlin, Wonderlust, APT Gallery Creekside Deptford, Birds of a Feather, Sueli Turner Gallery, Mile End - (N)Everland, The Nunnery Bow Arts Trust, Bow , Future Map 08, David Roberts Art Foundation Fitzrovia, London, Approaches to What? - The Nunnery, Bow, SharkPot - Node London, Studio 1B Richmond, Domestic Perspective - Center for Drawing, Wimbledon, Ground Rules - Canazario Park, Wimbledon, Curated by Terry Smith and Gilane Tawadros, Current - Trinity Buoy Wharf, East India Docks, Muscular Pet - Mashed Potato Gallery, Deptford, Designer block – Old Street, Tea Building, The Biscuit factory -Newcastle, Collect V&A
Publications Glass - An Inspirational Portfolio - Watson -Guptill NY
Founder Just Glass Society
Articles / Reviews
Craft & Design –The Just Glass Story, S. Prendergast Jan Feb 2015
South London Art Map
Evening Standard review Future Map
Bloomberg.com
Timeout review Canazario Park
Helping Artists Keep Going
Axis is an artist-led charity supporting contemporary visual artists with resources, connection, and visibility.