Skip to main content

Jera May

South East
Artist

 Materially my tendency is to work with something, an environment, an object, an old drawing, map or story.  Making use of its original values or context I reconfigure and intervene, install, add, arrange, cast, collage, draw, film, or act, to articulate endeavours, consider philosophies and understand occurrences. Sometimes personal, sometimes cultural, sometimes cosmological.

I am neurodiverse and not quite fitting in has created an endless questioning of norms which has driven my practice. I enjoy having impossible ideas. 

As an artist and an educator, I am interested in inclusive ways into drawing and making. I consider drawing as a form of thinking, a method for enriching sensory capacities and as a way of accessing the unconscious. I am currently using drawing tools, impulsive drawing and experimental methods to translate philosophical ideas and contemporary thinking on interconnectedness and difference.

Writing on 'The Delirium of Joy', The artist and writer Ambrosine Allen describes;

“I felt what May had created was a kind of ghostly archive, where real landscapes are layered with inner more metaphorical landscapes and connections are formed between past and present, fact and fiction. I left thoughtful about the idea of 'sculptural film', impressed by both the physical power of the installation and the romantic illusions of the projected media, seduced by how you can get lost somewhere in-between.”  

 

Qualifications

2008 - MA Fine Art: Sculpture, Distinction, Wimbledon College of Art, University of the Arts London 2008 - Post Graduate Certificate in Education, University of Westminster 1992 - BA (Hons) 3D Design (Glass), First class, Wolverhampton University

 

Exhibitions

Art of the Possible, PM Gallery, Soane Museum Ealing , Construction , Gallery, 74 - 80 Upper Tooting Rd London, Normalcy Bias, Listros Galerie - Berlin,  Wonderlust, APT Gallery Creekside Deptford,   Birds of a Feather, Sueli Turner Gallery, Mile End - (N)Everland, The Nunnery Bow Arts Trust, Bow , Future Map 08, David Roberts Art Foundation Fitzrovia, London, Approaches to What? - The Nunnery, Bow, SharkPot - Node London, Studio 1B Richmond, Domestic Perspective - Center for Drawing, Wimbledon,  Ground Rules - Canazario Park, Wimbledon, Curated by Terry Smith and Gilane Tawadros,  Current - Trinity Buoy Wharf, East India Docks, Muscular Pet - Mashed Potato Gallery, Deptford, Designer block – Old Street, Tea Building,  The Biscuit factory -Newcastle,  Collect V&A 

Publications  Glass - An Inspirational Portfolio - Watson -Guptill NY

Founder Just Glass Society

Articles / Reviews

Craft & Design –The Just Glass Story, S. Prendergast Jan Feb 2015

South London Art Map

Evening Standard review Future Map

Bloomberg.com

Timeout review Canazario Park

Funding -

Develop your creative practice grant - Arts Council, England 2025

Axis Bursary, Developing Practice 2024

Current Academic Position -  Foundation Art & Design Course Leader City Lit  - 2019 - Present 

 2013 -2018 - Head of Richmond Art School 

 2008 -2013 Learning Manager Visual Arts, lecturer HNC/D Fine Art  & Foundation Art & Design  RACC

2006 -2008 -Faculty Manager Visual Arts, lecturer HNC/D Fine Art  & Foundation Art & Design  RACC

2004 – 2006 Program leader, lecturer HNC/D Fine Art & Foundation Art & Design  RACC

2002 -2004 Lecturer Glass & Sculpture RACC

 

 

Helping Artists Keep Going

Axis is an artist-led charity supporting contemporary visual artists with resources, connection, and visibility.

Become a Member

Join the UK’s Leading Artist Community

Be part of a caring, mutual aid network. Connect with fellow artists and access insurance, space, opportunities, and support to grow your practice.

Become a Member